The Red one

A History of the Skin and the Desires
• The red one has always symbolized the history of the skin, a history that today the fashion penetrates with a power that nobody will dare to resist.

Seduction

• The red of the fashion are tones that undertake their ascent from the dark chestnut tree and the crimsom one that it is almost a wine, until the mineral tones, the melon that is more near the roses, and the color skin, or the rosy cloud.

Version Prevails

• had been a woman of red, beautiful that entered for the air like a bombard explosion, leaving the perfumed atmosphere and the light of its body like only fire.

• A woman of red, invented by all, wanted, beautiful that they were been among the hands because it had been sacrilege to play it. She was the woman of red, the one that creó the passion. Passion that others overflowed transforming it into sin of dreams and of wait. And her, woman of red, as the carnation, alone it had been life appeared to the window.

Venial Versión

• Dios made to the man of red earth (Adamo) and Adam called it so that he didn't forget his condition. And to Eva she/he made it of Adam's red meat so that both were the same blood and that blood, red, multiplied in them to populate the earth. From then on, there was memory of the red thing as symbol of life. “And God made the red one so that we all knew where the life of the earth was, the Sufíes says (Muslim mystics).”

• is clear that in many cultures the women put on makeup of red the lips and the cheekbones, to be insinuated to their men and to insinuate that they are in capacity of giving life. Also between the Arabs and the Oriental, it is common to see among the women the hands and the colored feet of red. Even the teeth, as they make it the Bedouin using the fruits of the betel. And it is that there is an exercise of the red one as element that beautifies and it insinuates that she/he speaks without words, so that there is not absence of life.

Erotic Versión

Red • is the passion; red, the love; rosy, the feelings; red, the fields of the spring that shine its poppies; red, the romantic leaves of the autumn; red, the wide sun of summer that collapses in the horizon of the sea. A red world that vibrates because the life reddens the skin when the amor is close or when she/he goes away.

• For Octavio Paz, the love is life and death (Eros and Tanatos), to be born and to die, to begin and to finish. And in all these concepts the red one lives. Red when the life is full, red when the death you full with resurrection. To be born and to die, whole circle of the daily acts. And in this engagement of to begin and to conclude, the red one is it looked for, the longings, that prohibited and the permissible thing, the poem, the kiss, the born-again body, the alerted senses, to fly for the fields where the passion flourishes in a red, Alive and vibrant way.

• The occident erotismo, come of Greece and of Rome, of the rebirth of the French Literature, it is always accompanied of red flowers, of red silks, of red atmospheres where the bodies stand out more. Always a virile anturio, a mythical rose, a soft poppy, a shy gladiolus, an in love carnation. Red insinuante, red seductive, red deseo.

• All town has an idea of the erotic thing, of this sensation of love that is looked for to feel to newspaper I live and young, and to this of the erotic thing it has been united the red color .Mientras the erotic thing subsists, the age doesn't arrive. Or it arrives, but without the dark airs of the solitude.

Sinful Versión

• When the fruits mature, they change their skin for a reddish tone that makes them pleasant to the mouth. Then, the hands play them gently, caressing them, fearing to break them. It is valuable the red thing because she/he marvels and it incites, because she/he dances like a bayadere insinuating freedoms and goces.

• The fruit of the paradise a red apple that never existed was (the Bible doesn't mention any fruit especially), so that the first sinned a juicy sin of passion outside, wide without regret possibility. A red sin as a summer afternoon, able to fill all the anxieties and to give the possibility want it again. It was a sin of love in the Paradise, rebellious to all order, dangerous, so hit to the body that already never more nobody was able to release him of the skin. It was a red sin.

• To the demon Asmodeo that you dressed of red, makes him court Carniveau and Invart, smaller devils that shine of red in the lips and in the hands. And they go tempting to the bodies somewhere around so that she/he doesn't forget the first sin. And they make it with permission of God, that says.